Filed under: feminism/s & gender, frivolity, funnies, media, news, reproductive justice, sexuality
Well, color me surprised.
I was already to write a post deriding Judd Apatow’s new film Knocked Up. I haven’t seen Apatow’s other work (Freaks & Geeks, the 40-year-old virgin), so this was not what you might call an educated opinion, but I figured that a movie called “knocked up” couldn’t be good. The phrase knocked up just rings of misogyny.
But I was pleasantly surprised. SF and I saw it last night. A.O. Scott was right. It was funny. It was sweet. And, for the most part, it lacked the misogyny that often pervades the two genres with which it toyed: so-called chick flicks and stoner movies.
I was nervous about the film’s treatment — or lack thereof – of abortion. I had heard that the film sort of glosses over it. Apparently, the topic was interesting, and obvious enough, to make its way into the NY Times Styles section this week. While it’s true that “abortion” is never uttered in the film, the issue is not ignored either. More than that, what (admittedly little) conversation there is about abortion in the film seemed to me to be a fairly biting satire of our inability to talk honestly and apolitically about abortion in the U.S. And the film’s general treatment of pregnancy, reproduction, and birth (in a very impressive Stan Brakhage-esque scene) is often much better than the Hollywood standard.
And I’m not alone in my relief: Amanda Marcotte’s review at her new blog Unsprung echoes a lot of my thoughts.
Still, I can see why some pea-brained conservatives seek validation for their misogynist political opinions from the previews of the movie. From the preview, the movie seems like a wet dream for anti-choicers, a story of an uppity bitch who gets hers by getting trashed and sleeping with the wrong guy, which leads to punishment-by-pregnancy. Add in the college Republican fantasy of being able to trap a wife through pregnancy, and you’ve got a bit of anti-choice propaganda. Those folks will be sorely disappointed by the movie, unless they’re too dumb to pick up on the not-really-subtle subtleties, particularly with the way that the movie sides with Alison’s right to have her own life and career despite being pregnant.
All of this praise doesn’t mean I don’t have a bone to pick with the film. And that nit to pick is this: why is it that the only people who actually sorta kinda talk about abortion in the film are men? Ben’s (the guy who gets Katherine Heigl’s Allison pregnant) stoner friends are the ones who get closest to saying the word “abortion,” while Allison’s mother says only that Allison should “get it taken care of,” or something to that effect. One of Amanda’s commenters also picked up on this; she sees it as yet another example of the “father knows best” mindset. I’m not so sure. Maybe it just speaks to the fact that it’s easier sometimes for men than for women to talk about abortion — and to pontificate about it. But maybe I’m just being too optimistic.
Whatever the case, I was impressed by the film. Anyone else seen it and have an opinion? I’d love to know…





